BMW Art Guide by Independent Collectors

How to Pass On a Passion

On long-term challenges for new private museums

Palazzo Grassi in Venice, 2011
Palazzo Grassi in Venice, 2011

An observable trend of the past years and a safe prediction for 2015 is that the concept of the „single – donor“ museum is at the forefront. Now more than ever, private art collectors are opening up their collection to the public by founding influential institutions such as the Foundation Louis Vuitton in Paris, The Francois Pinault Foundation – Palazzo Grassi in Venice and the new Broad museum to open in Los Angeles this autumn. Certainly, the role and mission of these institutions – such as their accessibility and community involvement – has become a widely discussed topic in the art world.

A less talked about issue is what will happen to these museums once the founding collector has passed away. Journalist Jori Finkel from The Art Newspaper addressed this question in her recently published article: will there be life after death for new private museums?

Considering the age of many collectors, asking how they plan to ensure “the vitality and flexibility of their prized institutions beyond their own lifetimes” appears to be a legitimate question. Finkel mentions collectors such as Bernard Arnault of the Foundation Louis Vuitton, The Rubells as well as Eli Broad, and discusses their different outlooks on the years to come. Arnault for instance has agreed on turning over his collection building, designed by Frank Gehry, to the city of Paris in 2062, but has not mentioned details about any sort of collection endowment. Philanthropist Eli Broad on the other hand has already announced to endow his new museum at over $200 million. For many however, it remains uncertain what will happen to their art one day. Whether donated to a charitable foundation, or left to the heirs, possibilities appear to be manifold.

Similar to public institutions, also privately run museums have become a part of their local communities – so the question remains how this engagement will continue in the future. For the Rubells in Miami it is clear: their children and grandchildren who are also already passionate art lovers will continue what they have successfully built up thus far.

Amended Image by Alma Pater via Wikimedia; CC Licence Info

More Information on The Art Newspaper

Insiders (68)

KOO HOUSE MUSEUM

Exhibition venue with the theme ‚Living with Art‘

Wilhelmina Jewell Strong - Sparks

Founder of BiTHOUSE Projects - BAAR Art Journey

MATTHIAS ARNDT

Collector behind the ARNDT Collection

Sandra Guimarães

Director of Museum of Contemporary Art Helga de Alvear

Grazyna Kulczyk

Founder of Muzeum Susch

THE FAIREST

Interview with Georgie Pope and Eleonora Sutter, Co-founders

Kamiar Maleki

Director at VOLTA

Gallery Weekend Berlin 2022

Tokini Peterside

Founder and Director, ART X Lagos

Poka-Yio

Founding Director of the Athens Biennale

Boris Ondreička

Artistic Director of viennacontemporary

Maribel Lopez

Director of ARCO

David Gryn

Founder and Director of Daata

Fondation Beyeler Audiovisual Broadcast

Fondation Beyeler and Nordstern Basel present Dixon x Transmoderna

Gary Yeh

Founder of ArtDrunk and Young Collector

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Maike Cruse

2020 Gallery Weekend Berlin

Touria El Glaoui

Founding Director of 1-54 Contemporary African Art Fair

Johann König

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Barbara Moore

CEO of Biennale of Sydney

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by Independent Collectors

Alix Dana

Fair Director at Independent

When Collectors are Able to Commission

by Nicole Büsing and Heiko Klaas

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Initiators of Collection Night, Berlin

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Curator of Wales in Venice, 58th Venice Biennale 2019

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Heather Hubbs

Director at NADA

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by Nicole Büsing and Heiko Klaas

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by Silvia Anna Barrilà

Caroline Vos

Director at Amsterdam Art Weekend

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by Nicole Büsing and Heiko Klaas

Nicole Berry

Executive Director of The Armory Show

Daniel Hug

Fair Director at Art Cologne

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Peter Bläuer

Director at LISTE

A Brush Against Nature

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Ilaria Bonacossa

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by Independent Collectors

Jo Stella-Sawicka

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Florence Bourgeois

Director at Paris Photo

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by Christiane Meixner

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Manuela Mozo

Executive Director of UNTITLED, ART Miami and San Francisco

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by Christiane Meixner

Susanna Corchia

Director of the Barcelona Gallery Weekend

Emilia van Lynden

Artistic Director at Unseen, Amsterdam

Carlos Urroz

Director at ARCOmadrid

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by Christiane Meixner

Amanda Coulson

Director at VOLTA Basel

Douwe Cramer

Director at Singapore Contemporary

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Jo Baring

Curator of Sculpture Series, Masterpiece London

Bidders and Buyers

by Christiane Meixner

Anne Vierstraete

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Nanna Hjortenberg

Director at CHART

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The Past is Back

And collectors are buying it up

Are Artists the Better Curators?

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The Digital Museum

On the importance of the museum’s web presence

The Man in the Middle

On the curator’s private and public engagements

A Private Matter?

On the importance of physical space for the value of art

Off the Wall

How museums contribute to the worth of artworks

Where to Go Next?

The fragmentation of Manhattan’s gallery scene

To Buy or Not to Buy

Collectors on their experiences of letting an artwork slip away