BMW Art Guide by Independent Collectors

Charles Riva

Charles Riva Collection – Brussels, Belgium

Charles Riva. (on wall) Jonathan Horowitz, ’Rainbow American Flag on Orange Field II for Jaspers in the Style of the Artists Boyfriend’, 2015 Courtesy Jonathan Horowitz and Xavier Hufkens Brussels. © Thomas Mueller, New York / Hugard and Vanoverschelde
Charles Riva. (on wall) Jonathan Horowitz, ’Rainbow American Flag on Orange Field II for Jaspers in the Style of the Artists Boyfriend’, 2015 Courtesy Jonathan Horowitz and Xavier Hufkens Brussels. © Thomas Mueller, New York / Hugard and Vanoverschelde

Why did you start collecting art?

My parents were a painter and an architect so in my early years I was surrounded with arts and sketches. Very soon collecting started to become an obsession. In 1997 I opened my first art gallery “Riva Gallery”. As an art dealer, I started collecting artists that I used to include in my shows among many others – I had found a balance between my activities. The collection opened in 2009 and is a result of my obsession!

What was the first piece of artwork you purchased, and when was this?

It was a brushstroke lithography from Roy Lichtenstein that became later on the cover of the catalog “Raisonnee”.

(l–r) Paul McCarthy, ’Captain Dick Eye’, 2002; Steven Shearer, ’NRG’, 2013. © Charles Riva Collection; Paul McCarthy and Steven Shearer
(l–r) Paul McCarthy, ’Captain Dick Eye’, 2002; Steven Shearer, ’NRG’, 2013. © Charles Riva Collection; Paul McCarthy and Steven Shearer

Does your collection follow a concept or a specific theme?

American artists primarily compose my collection as I have had a specific relationship with American art since I lived in New York. I collected mostly American artists and I decided to offer visitors of my collection the possibility to discover works that are not widely shown within Europe. Brussels is an interesting city for considering the project due to the international community presence and its strategic situation in Europe. The only concept I have is to offer an opportunity to see artists in a private context. I am more interested in the experience that one can have by discovering an artwork rather than the concept. It is why today, after seven years, I am working to highlight my project with a cultural program and specific events. I have also recently developed a new project with an exhibition room dedicated to contemporary sculptures “Riva Project” as I wanted to offer a specific perspective on this medium because there are amazing contemporary artists and works working with it.

Who are the artists you are currently following?

I have been really focused on Frank Stella for a couple of years now. He will be featured in the upcoming exhibition in April 2017. I visit exhibitions around the world dedicated to the artists I am interested in and attend auctions to discover rare works. I also meet with a lot of people to help me find a work, as well as meeting with the artists themselves. Frank Stella, Robert Rauschenberg, Ed Ruscha and John Baldessari are all artists that I am buying at the moment, however I am also paying attention to what happens with the young American artists.

Do you have a personal relationship with the artist you collect?

Not always but I do with a few of them.

(l–r) Rashid Johnson, ’Disorder at the border’, 2011; Sherrie Levine, ’False God’, 2007. © Charles Riva Collection; Rashid Johnson and Sherrie Levine
(l–r) Rashid Johnson, ’Disorder at the border’, 2011; Sherrie Levine, ’False God’, 2007. © Charles Riva Collection; Rashid Johnson and Sherrie Levine

Why did you decide to make your collection publicly accessible?

An art collection is like a puzzle, you know when you are ready to show it. I opened the collection to the public in 2009 so I could share my passion with a large audience. I consider it important to share your interest with others and I had the opportunity to do it. I want to offer visitors the possibility to discover American artists, contemporary art and rare works in Europe. Today, I am working on a cultural development program to propose a more complete and rich experience around the collection.

Which publicly accessible private collection would you recommend visiting?

I travel a lot and I discover many interesting private collections, art spaces and other projects around the world. But if I have to recommend visit I can suggest, in Brussels the Vanhaerents Art Collection for its amazing building and its eclecticism, in Venice the Palazzo Grassi, the François Pinault Foundation for its space, location and high quality program, and in Connecticut the Brant Foundation for its remarkable work and program.

All images courtesy Charles Riva Collection, Brussels

More Information on Charles Riva Collection

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Dominique & Sylvain Levy

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Andrea von Goetz

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Michael Buxton

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Anastasios A. Gkekas

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Christine and Andrew Hall

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João Carlos de Figueiredo Ferraz

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Anita Zabludowicz

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Gordon Elliott

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Seth Stolbun

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Christian & Karen Boros

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Maria Didrichsen

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Timo Miettinen

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Désiré Feuerle

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Gudrun & Bernd Wurlitzer

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Corbett Lyon

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Geert Verbeke-Lens

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László Vass

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Daisuke Miyatsu

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Samara Walbohm & Joe Shlesinger

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Alain Servais

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Ivo Wessel

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Ramin Salsali

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Vittorio Gaddi

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Miguel Leal Rios

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Julia Stoschek

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Gertraud and Dieter Bogner

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Bob Rennie

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Heiner Wemhöner

Sammlung Wemhöner – Herford, Germany

Lin Han

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Kenny Goss

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Karsten Schmitz

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Devon Dikeou

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Thomas Olbricht

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Mera & Donald Rubell

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Pétur Arason

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Steffen Hildebrand

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Rafaela Seppälä

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Frédéric de Goldschmidt

Frédéric de Goldschmidt – Brussels, Belgium

Daniel Teo

The Private Museum – Singapore, Singapore

Claudio Cosma

Sensus – Luoghi per l’arte Contemporanea – Florence, Italy

Michał Borowik

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Herbert Gerisch

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José Berardo

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Myriam and Amaury de Solages

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Benjamin Genocchio

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